Results are in for the 17th annual LITTORAL PRESS POETRY PRIZE! The winner is: Roger Greenwald, for his poem “Vacuum." He will receive 50 copies of a broadside of his poem, designed and printed at Littoral Press. Honorable mentions go to Wally Swist for “This Morning,” Matthew Thorburn for “Fireflies,” and Pam Vap for “Love Song of the Tree.” These three poets receive earlier Littoral Press broadsides. Scroll down to read all four of these winning poems. Many thanks to all who entered for your fine writing and support. The quality of the submissions was impressive. I wish everyone could win ....
This is the final year for the contest, and the first time I judged it myself. It’s been a fascinating ride. Deep thanks to all who entrusted their poems to our judges and readers over the years. In other news, Lawrence Tjernell and I are editing an anthology entitled Casting Aspersions (see below, after the poems). If any of your writing tends toward snark, we'd love to hear from you!
And now, the poems:
Vacuum
My father cut a vacuum tube in half.
I don’t know how he did it, never wondered
till now. Maybe you inject molten
plastic first, embed the whole in a mold
full of more, and when it’s cooled and hard,
saw the block with the lab’s finest tool.
This transparent square was always there
in my schoolboy drawer, souvenir
of a man I had no memory of, an object
lesson in science, craft, and art combined
that nonetheless seemed normal to me. I knew
he’d been brilliant, after all, even more so
than his father, my grandpa, who took from the vacuum
cleaner the household dust to grow its germs
so Public Health would know which pathogens
endangered New York. A grid of fine wires
meets the clear surface, behind them the silvered
glass curve of the sliced vessel. An echo
of electrons spins up from my hand.
There’s no one else this will mean anything to.
—Roger Greenwald
* * *
This Morning
— Sono Mama: "Just as it is”
The aromatic sweetness
of the thicket wild with
fleabane and milkweed
opening into fragrance,
where two deer
must have strode
through those tall stems,
knocking some down,
creating new paths
from which
the redolence emanates
even in the slightest wind,
is nearly overwhelming;
the call of a cranky catbird
wrenches its sound
all the way down
beyond the slope of the knoll,
where the grove of trees
stops before the sky and all
the passing clouds that are
held in the pond’s mirror.
— Wally Swist
* * *
Fireflies
Yellow-green glimmers against the blue-black sky. One, then another, then another. In Hokusai’s woodblock, a lady’s servants have caught fireflies in a wooden cage. It’s dawn there, so no wonder she looks so tired, they’re so faint. In my mother’s long-ago childhood, the children trap them in a glass jar. Air holes punched in the tin lid but still, come morning, they’ve died. Is that why I stand here now, why I only want to look? I linger over their sudden ons and offs, the way they mean and keep meaning, these pinholes in the night. Seeing them, yesterday feels farther away; each scrap I swore I’d never forget slips deeper into the dark. The words, if there were words, then the melody of that song my mother hums as she catches them, the servant whistles as he latches the cage, I can hardlyhear. How easy after all to let go, to turn away now and watch as the fireflies flare up
here
nowhere
now here.
—Matthew Thorburn
* * *
Love Song of the Spring Tree
Impossible, but not quite so,
to survive
this longest of cold times.
Gray laces of branches knock
against one another,
break in the foreground
of the icy, white sky.
It seems each frozen time they die,
seems each time they have truly died.
But a billionth time around again
a warm cloud’s release
soaks through the stillness.
The sun, too, from a far-off place arrives
kissing awake the ash, oak, maple and plum.
Now is the time to gather
strength from roots deep
in the home of the earth.
The wind’s breath song
insists on the dancing
of the unfurled
green. And the tree
embraces the world
in wide, sheltering arms,
whispering strong hope-words:
again, again,
come to this life,
again.
—Pam Vap
* * *